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To make this possible, we can muster up to seven teams available to shoot. In total, we produce about 700 pieces of content annually, which includes roughly 250 to 300 sex scenes and 20 DVD releases.
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We currently have two main websites ( BelAmiOnline and Kinky Angels) and three DVD production lines (Bel Ami, Kinky Angels and Lukas Ridgeston). Operations are eclectic - three production teams (in Budapest, Bratislava and Prague) work closely with associates in Cape Town, Los Angeles and Austin, via Berlin, Madrid, London and wherever else they need to. There are a number of smaller companies that collaborate to form what people call “Bel Ami.” Altogether, about a hundred people, half of which are models on exclusive contracts. I have a certain vision, know-how, patience and personality traits that have allowed me to corral together a rather motley - but very talented group of directors, editors, techies, graphic designers, models, scouts, etc. I don’t own any company, I own only trademarks and copyrights. To start, it’s important to clarify that Bel Ami isn’t a company but a trademark. XBIZ: What about the current landscape of the company?ĭUROY: “Landscape” is a suitable descriptor. Having reconciled myself with the fact that I was not destined to become a famous Hollywood producer, I finally established a small media business in 1994 and trademarked “Bel Ami” in 1995. This all led to my first Bel Ami film - “Tender Strangers” - which in the first month of mail order sales made enough to pay off all of my UCLA Film School debt. In 1993, I filmed my first two porn films for Falcon - ”Sauna Paradiso” went on to win me my first “Porn Oscar,” which is what we used to call the GAYVN Awards.
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With the launch of Freshmen magazine in 1992, my career took off as well during their first two years, I had 18 covers and I even started to learn a little about photography. I did my first photo shoot in 1990, which was then released under the name Bel Ami in 1991. I’ve learned to say that Bel Ami took some kind of amorphous form between 19. XBIZ: Tell me about the start of Bel Ami?ĭUROY: The creation of Bel Ami - in terms of the motivations that underpin it and the timing - is more ambiguous than appears at first blush.
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In fact, I never wanted any company at all! All I wanted to do was shoot with models that I liked and make films that I’d want to buy myself.Īs the studio enters its 21st year, Duroy took time out of his very busy schedule for some rare and candid reflections. It’s funny - I never wanted a big company. The brand is now a behemoth - its reach across the globe is staggering, and it’s safe to say that no studio has had the same worldwide brand recognition and success over such an extended period. It’s almost impossible to exaggerate the impact that Bel Ami has had on the industry - from the start, it was a fan and critic favorite marked by top-quality production, undeniably charismatic models and a unique, playful tone that seemed to celebrate men and sex in a way that had never been done before. Also there was the man himself: George Duroy, his name a nod to the central figure in the 1885 Guy de Maupassant novel that inspired the studio’s moniker.
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They met in Prague for a celebration last September - when Bel Ami celebrated its 20th anniversary and soon unveiled the biggest and most expensive condom free orgy scene ever produced in the history of gay porn. It was gay porn heaven for those in attendance, a gathering of some of the most popular and recognized names in the business: Lukas Ridgeston, Josh Elliot, Johan Paulik, Kris Evans.